exhibition + catalogue essays
Click the title of each entry for PDF files.
Beneath Tongues, installation view.
Photo Credit: Blondell Cummings, “Chicken Soup,” gelatin silver print. Photo: Kei Orihara. Courtesy of The New York Public Library.
photo credit: installation view, Zachary Balber
Elijah Pierce, Elijah Escapes the Mob, c. 1950s. wo
Cashmere Sound, Voluminous Lines, Metallic Reverberations
BENEATH TONGUES
Swiss Institute Annual Architecture and Design Series, curated by Sable Elyse Smith
2022
‘I’m a child of history, a part of history…’: Assembly and Emergence in Blondell Cummings’s Photographic Dance
Blondell Cummings: Dance as Moving Pictures
Art + Practice
2021
Betye Saar’s Atmospheric Reach
Betye Saar: Serious Moonlight
ICA Miami
Miami, FL
Oct 28, 2021 – Apr 17, 2022
Construction and Destruction in Elijah Pierce’s History Carvings
Elijah Pierce’s America
Barnes Foundation
Philadelphia, PA
September 2020.
Installation view, Sable Elyse Smith, Ordinary Violence
Everyday Exposures in Sable Elyse Smith’s Ordinary Violence
Sable Elyse Smith
Ordinary Violence
Haggerty Museum of Art
Milwaukee, WI
August 17, 2019- January 27, 2019
Installation View, Rashid Johnson, No More Water
Rashid Johnson’s (Black) Collective Attachment
Rashid Johnson
No More Water
Lismore Castle Arts
Lismore, Ireland
April 15- October 14, 2018
Howardena Pindell, Video Drawings: Baseball, 1975
Blurred Material in Howardena Pindell’s Video Drawings
Howardena Pindell
Video Drawings
Document Gallery
Chicago, IL
February 24- April 7, 2018
The Everywhere Studio, Institute of Contemporary Art, Miami, Dec 1, 2017–Mar 4, 2018
Studio/Streets: Faith Ringgold’s Sense of Practice
The Everywhere Studio
Institute of Contemporary Art, Miami
Dec 1, 2017–Mar 4, 2018
Evidentiary Realism, NOME Gallery, Berlin, December 2-February 17, 2018
Black Owned, Patrick Martinez, Neon 20.5 x 26 inches, 2016, Edition of 3
Black Owned
Black is a Color
Charlie James Gallery
Los Angeles
July 15- August 19, 2017
Installation view Dear 1968,…, Sadie Barnette, UC Davis Art Museum, 2017
Whose 1968? Bringing History Home in Sadie Barnette’s Dear 1968,…
Dear 1968
UC Davis Art Museum
Davis
April 14-June30, 2017
Kambui Olujimi, Untitled (detail), from the series T-Minus Ø, 2017 (detail). Digital print on cotton, 24 x 36 inches. Courtesy of the artist.
Failure to Launch: Temporal Suspense in Kambui Olujimi’s Zulu Time
Zulu Time
Kambui Olujimi
Madison Museum of Contemporary Art
May 6, 2017 to August 13, 2017
Gravity and Other Black Groundings in Zachary Fabri’s From the Wolf to the Fox
From the Wolf to the Fox
Ajira, A Center for Contemporary Art
Newark
October 15, 2016- January 15, 2017
From A Fleshly Object to A Flash of Air
Makeup on Empty Space
Time Based Art Festival
Portland, OR
Septembe 1r-October 31, 2016